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Study Guides
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Along with these achievements comes responsibility though, for if the player is to continue developing, practice and involvement with the horn and the horn world must become a priority. It's time to really get serious. Whether in high school, college, or not in school at all, a Level 4 player should be practicing 1½ - 2 hours every day in addition to ensemble rehearsals. A basic routine should be developed that includes technical exercises addressing everything the player has to do. It should include high and low range, loud and soft dynamics, scales and arpeggios, various articulations and slurs, lip trills, and multiple tonguing. Problem areas should no longer be avoided. During Level 4, the player should.
RECOMMENDED READING Farkas: The Art of French Horn Playing LEVEL 4 - ETUDES AND STUDIES Kling: 40 Characteristic Etudes SUPPLEMENTARY Pottag-Andraud: 335 Selected Melodious
and Progressive Technical Studies, Books I & II (the "Blue Book" &
the "Red Book") LEVEL 4 SOLOS Koch: Sound Pictures Kronke: Two Hunting Pieces Lorenz: Fantasie Mozart/Ephross: Andante (from Quintet K.407) Mozart/Sansone: Concerto No.1 Mozart/Sansone: Concerto No.2 Mozart/Sansone: Concerto No.4 Oldberg: Serenade Pessard: In The Forest Purcell/Bacon: I'll Sail Upon the Dogstar from Selected Songs Vol.2 Schumann/Bacon: He, the Most Magnificent of All from Selected Songs Vol.1 Strauss, Franz: Concerto, opus 8 Telemann/Chidester: Adagio and Presto LEVEL 4 HORN ENSEMBLES DUETS Franz: 100 Duets - Book 2 Mayer: Suite No.3 TRIOS Mayer: Tricinium Reicha: 6 Trios from Opus 82 QUARTETS Bacon, editor: 88 German Quartets Franck/Wienandt: Four Dances Giovannini: Three Moods Mitushin: Concertino Schumann/Reynolds: Six Quartets OCTETS Reynolds: Cantos No. 1 Reynolds: Cantos No. 2 Reynolds: Cantos No. 3 |
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